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ANASTENARIA

BKS.0166208          
ΚατηγορίαΘΕΑΤΡΟ
ΑΝΔΡΕΑΔΗ ΙΟΛΗ στην κατηγορία ΘΕΑΤΡΟ
ΥποκατηγορίαΜΕΛΕΤΕΣ ΘΕΑΤΡΟΥ
Διαθεσιμότητα: Κατόπιν παραγγελίας
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ISBN: 978-960-628-097-9
Συγγραφέας: ΑΝΔΡΕΑΔΗ ΙΟΛΗ
Εκδοτικός οίκος: ΕΚΔΟΣΕΙΣ ΚΑΠΑ
Σελίδες: 320
Διαστάσεις: 23Χ15,5
Ημερομηνία Έκδοσης: Οκτώβριος 2020

RITUAL - THEATRE - PERFORMANCE - AN EXPERIENTIAL STUDY

In ANASTENARIA: Ritual, Theatre, Performance; An Experiential Study, Ioli Andreadi, a theatre director and playwright who works internationally creating original, deeply personal pieces of theatre and performance, uses her field research in Nothern Greece in order to tell a tale about a contemporary, fascinating, silent community of firewalkers and her own engagement with them, as it progresses with time and involvement. Such an account shares something with a Performance Studies traditionof ethnographic interest, while reasserting the dialogue with stage practice, as it is and as it is imagined.

Theory and practice meet, illuminating experience: loss and elimination, healing and survival, violence and love. This is an intimate, true story of a surviving ritual performance that has a potential for reading across to stage work, in which the author is involved and academically engaged. Its ecstatic dimension is enriching, through offering a better understanding of the relation between inspiration, consciousness and technique. The Anastenaria practices are specific and their investigation is relevant to questions that areurgent and compelling. Andreadi’s account can be read by both thinkers and practitioners as one more, contemporary, myth of the origin of theatre and performance, as a piece of intimate ethnography, as the script of a future play, or as the intention behind a future performance.


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ANASTENARIA (BKS.0166208)
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Κατηγορία: ΘΕΑΤΡΟ
ΑΝΔΡΕΑΔΗ ΙΟΛΗ στην κατηγορία ΘΕΑΤΡΟ

ISBN: 978-960-628-097-9
Συγγραφέας: ΑΝΔΡΕΑΔΗ ΙΟΛΗ
Εκδοτικός οίκος: ΕΚΔΟΣΕΙΣ ΚΑΠΑ
Σελίδες: 320
Διαστάσεις: 23Χ15, 5
Ημερομηνία Έκδοσης: Οκτώβριος 2020

RITUAL - THEATRE - PERFORMANCE - AN EXPERIENTIAL STUDY

In ANASTENARIA: Ritual, Theatre, Performance; An Experiential Study, Ioli Andreadi, a theatre director and playwright who works internationally creating original, deeply personal pieces of theatre and performance, uses her field research in Nothern Greece in order to tell a tale about a contemporary, fascinating, silent community of firewalkers and her own engagement with them, as it progresses with time and involvement. Such an account shares something with a Performance Studies traditionof ethnographic interest, while reasserting the dialogue with stage practice, as it is and as it is imagined.

Theory and practice meet, illuminating experience: loss and elimination, healing and survival, violence and love. This is an intimate, true story of a surviving ritual performance that has a potential for reading across to stage work, in which the author is involved and academically engaged. Its ecstatic dimension is enriching, through offering a better understanding of the relation between inspiration, consciousness and technique. The Anastenaria practices are specific and their investigation is relevant to questions that areurgent and compelling. Andreadi’s account can be read by both thinkers and practitioners as one more, contemporary, myth of the origin of theatre and performance, as a piece of intimate ethnography, as the script of a future play, or as the intention behind a future performance.

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Με την αποστολή αποδέχεστε τους Όρους και Προυποθέσεις χρήσης καθώς και τους όρους περί προστασίας προσωπικών δεδομένων όπως αναγράφονται στο site.
ANASTENARIA BKS.0166208 BKS.0166208 ΑΝΔΡΕΑΔΗ ΙΟΛΗ ΑΝΔΡΕΑΔΗ ΙΟΛΗ ΘΕΑΤΡΟ Κατηγορία: ΘΕΑΤΡΟ •ΑΝΔΡΕΑΔΗ ΙΟΛΗ στην κατηγορία ΘΕΑΤΡΟ ISBN: 978-960-628-097-9Συγγραφέας: ΑΝΔΡΕΑΔΗ ΙΟΛΗΕκδοτικός οίκος: ΕΚΔΟΣΕΙΣ ΚΑΠΑΣελίδες: 320Διαστάσεις: 23Χ15, 5Ημερομηνία Έκδοσης: Οκτώβριος 2020 RITUAL - THEATRE - PERFORMANCE - AN EXPERIENTIAL STUDY In ANASTENARIA: Ritual, Theatre, Performance; An Experiential Study, Ioli Andreadi, a theatre director and playwright who works internationally creating original, deeply personal pieces of theatre and performance, uses her field research in Nothern Greece in order to tell a tale about a contemporary, fascinating, silent community of firewalkers and her own engagement with them, as it progresses with time and involvement. Such an account shares something with a Performance Studies traditionof ethnographic interest, while reasserting the dialogue with stage practice, as it is and as it is imagined. Theory and practice meet, illuminating experience: loss and elimination, healing and survival, violence and love. This is an intimate, true story of a surviving ritual performance that has a potential for reading across to stage work, in which the author is involved and academically engaged. Its ecstatic dimension is enriching, through offering a better understanding of the relation between inspiration, consciousness and technique. The Anastenaria practices are specific and their investigation is relevant to questions that areurgent and compelling. Andreadi’s account can be read by both thinkers and practitioners as one more, contemporary, myth of the origin of theatre and performance, as a piece of intimate ethnography, as the script of a future play, or as the intention behind a future performance.
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